Shetland still has Britain’s most northerly record shop - just as it has the northernmost church, the northernmost fish-and-chipper and the northernmost...well, everything. If you want north, we've got it.
The most northerly specialised record shop would be Lerwick’s The Bop Shop, which deals mostly in second hand vinyl and CDs, though it’s open only at weekends and at other times on demand. High Level Music - slightly to the south, about half a mile) is essentially about musical instruments and instruction, but also has a selection of music by Shetland artists.
However, neither of these fine establishments are official Record Store Day stockists, and so on 21 April, it was to Grooves in Orkney, part of the Old Library complex which includes The Sound Archive cafe and venue, an exhibition space and more, I perambulated (or sailed, there being water in the way). For Most Northerliness in RSD terms was there, and so was the launch of the Official Record Store Day 2018 Most Northerly Vinyl LP, and lo, it was and is utterly and completely Shetlandic.
Long Gone Lonesome Blues is the seventh release under Thomas Fraser’s name, though it’s the first on vinyl - all the rest are CDs. In fact it's the first album by a Shetland artist to be released on vinyl this century. It's an edited version of the CD of the same name, originally released in 2002. Twenty-four years after Thomas Fraser died.
He was a Burra crofter-fisherman, and his story is extraordinary. In the 1950s, his passion for American music ignited by US Armed Forces Radio and imported 78s, Thomas began recording his own versions of classic country, blues and jazz songs, in his Burra croft, using one of the first tape recorders in Shetland. He rarely performed in public, but hundreds of songs were distributed throughout the isles to family and friends, on reel-to-reel and later on cassette. Thomas died in 1978, but a few folk in Shetland still remembered his talent and played his music. One day, his grandson Karl Simpson, heard the track TB Blues and was completely transfixed. “It was like hearing Robert Johnson or something,” he said, “and this was my grandad.” Karl decided to rescue Thomas’s musical legacy, find as many tapes as he could, have them mastered and released.
It was the start of something amazing.